Historical Tarot
Are the origins of tarot more your style? Come here to discuss various historical decks and more here.
60 topics in this forum
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Just to let you know that an exhibition about the history of tarot will take place in Bergamo in Italy, from 02/27/2026 to 06/02/2026. We can expect to see several cards from the Visconti-Sforza deck, and, hopefully some cards from other gilted decks from the XVth century. Link : https://lacarrara.it/en/mostra/tarocchi-2026/
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https://rinascimentoitalianartenglish.wordpress.com/2020/02/27/the-oldest-method-of-reading-the-tarot/ I'd ask Mr. Berti - he's very nice - but every time I engage him in conversation, I end up buying something. And I just CAN'T right now. š
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I was wondering if there is a Lismon Etteilla (Etteilla II) facsimile-deck currently available to purchase anywhere? Iām also looking for a facsimile of Jeu de la Princesse. I have managed to order Lo Scarabeoās 1996 Ancient Esoteric Tarot. It is described as a āmodifiedā version of Princesse but Iām unsure as to how/if it differs from the earlier Dusserre edition. Any information would be great!
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I just got a notification via email that Mr. Berti has re-released the Milanese Tarocco of Edoardo Dotti, 1862 ! For fans of the Sopraffino style deck, this might be a fun alternate. Berti says his edition is also environmanetally freindly: non plastic, safe inks etc. Looks lovely.. ā¤ļø
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I am delighted to present a translation of Robert Klein's seminal article "The Illuminated Tarot Cards of the 15th century", with an illuminating introduction and notes by Ross Caldwell. This is a landmark article on the history of the early Visconti tarot decks.
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I got my copy of J-M David's Reading the Marseille Tarot yesterday. Haven't read much of it yet, but just came across this in the chapter on Le Batteleur: "... possibly the first description of an actual performance of the cups and balls that has survived is from Alciphron of Athens, who, in the second century C.E., described a performance of the cups and balls by a man using 'a three-legged table, upon which he placed three small dishes, under which he concealed some small white pebbles.'" (p. 32, emphasis in the original) Thereās that three-legged table! I have long been skeptical about how much influence āancient sourcesā…
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I'm not sure if this blog has been shared on the forum before, but I found it a few days ago and thought it worth sharing for those interested in pythagorean number symbolism and Etteilla's deck: https://neopythagoreanisminthetrot.blogspot.com/2012/05/magician-and-aces.html?m=1 I've yet to read it all, but so far it's proven to be a really interesting blog that does a great job comparing pythagorean sources on the meaning of numbers and Etteilla's (and other decks) majors and pip card meanings. The author has a few other blogs too, all Etteilla related, which can be found on the homepage Hopefully new and experienced Etteilla fans can get some…
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Last night, I did a reading on myself. I cleansed my room, my aura, and the cards. I asked Spirit to reveal my shadows energy. While shuffling for about 1 minute, 5 cards plopped out of the deck at once. As I flipped them over, the 1st card is the six of wands in reversed. The next 4 are major arcana cards. 1. THE HIGH PRIESTESS. 2. JUDGEMENT. 3. THE HIEROPHANT. 4. THE WORLD. I WOULD LOVE SOME CLARITY ON THIS MESSAGE, IF THE COMMUNITY WOULD BE SO KIND AND OFFER YOUR FEEDBACK. SEnding Love and Light to all!!!
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The Morgan Library & Museum is hosting an exhibition from June 26 through October 4, 2026. I just stumbled over this info in an article in The New Yorker. There was a fun illustration that is probably not part of the exhibition but was done by an illustrator for the magazine (Nicholas Stevenson). So, what do we have here? The 2 of Swords, the Hermit and the King of Wands (?), I suppose. And our psychotic psychic (Yayoi Kusama) is holding up the Sun. So mainly it's about us having fun, sharing and feeling free in our expression. But there is a lot of ambivalence, evaluation or perhaps even retreat preventing us…
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I don't want to repeat a labour anyone else already has done, so I write this message. Has anyone analysed the place of "Adelgonde Perenna" (pseud. for Gabrielle Paban, 1826) and "JohannĆØs TrismĆ©giste" (1843) in the history of the evolution of French style cartomancy? Paban/Perenna wrote L'Art de tirer les cartes et les tarots, ou cartomancie FranƧaise, Ćgyptienne, Italienne et Allemande; moyen infallible de dire la bonne aventure, ExpliquĆ© d'aprĆØs les dĆ©couvertes profondes des Ćgyptiens, des BohĆ©miennes, des Sibylles et des Cabalistes cĆ©lĆØbres de tous les pays (1823). "TrismĆ©giste" wrote L'Art de tirer les cartes, rĆ©vĆ©lations complĆØtes…
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